ARTS SECTOR

Uganda's creative and cultural sector

Keiga Foundation organizes to provide successful social and economic growth in the performing arts and culture sector in Uganda and worldwide.
It is not an exaggeration to say that the creative and cultural sector in Uganda is unique due to the smooth amalgamation of the rich cultural heritage of 65 indigenous communities along with contemporary forms of artistic expression. This mix of traditional and contemporary has enabled the country to use the creative sector as a driving force for economic growth, job creation, and export promotion.

The Uganda government has already confirmed the importance of the arts and culture sectors by being one of the member states to ratify the 2005 UN Convention on the Protection and Promotion of the Diversity of Cultural Expressions in 2015.

Additionally, 2021 has been named the International Year of Creative Economy for Sustainable Development at the 74th United Nations General Assembly (UNESCO, 2021). According to UNESCO, the creative economy accounts for 3% of the global GDP, and creativity is one of the most globally accessible, renewable, sustainable, and limitless resources in our world today. Member states across the world have been leading performances, summits, and conferences on the topic of the creative economy throughout the year. Despite these strides in recognizing the contribution of the arts not just for economic growth but also for human development, those working in the creative and cultural sector have been left behind in the midst of this current COVID-19 pandemic. A recent COVID-19 artists’ impact survey showed that 73% of artists have been left unassisted and have been forced to work alternative professions due to the lack of financial support.

Virtual Performances

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These programs are core to the Foundation’s mission and values. In addition to supporting the artists, they are designed to create relevant, high impact experiences that advance and diffuse knowledge and an understanding of the need for a more equitable global society where inclusion, diversity, social justice and the human rights of all people are acknowledged, protected, embraced, celebrated and advanced.

Look What You Made Me Do

A piece about the roles of power and control, perpetrators and victims, and traditions and modern life in the cycle of violence. 

Concept and Choreography: Jonas Byaruhanga
Dancers: Martha Naggita, Angella Walusimbi, Sosolya Undugu Dance Troupe

Actor: River Dan Rugaju

Year: 2021

This is My Home

The performance highlights the plight of women, the gender inequalities within our society and how women’s resilience has enabled them to respond to these disasters and emergencies. ‘This is My Home’ tells the story of Mamma Nulu, a 25-year-old girl who lives with 3 children on the Kiteezi dumpsite just outside Kampala, and every day she wades through rubbish, broken glass, and toxic waste to collect plastic bottles to sell to earn a living. This performance is part of our ‘Empowering Women in Dance’ program.

Concept and Choreography: Jonas Byaruhanga

Year: 2021

Breakdance Competition

Part one of Keiga Foundation’s International Dance Day Celebration 2021: breakdance community event, Bgirl and Bboy 1on1 competitions and award ceremonies recorded on April 24 in Kitintale Skatepark, Kampala, Uganda.
 
Presented by Keiga Foundation in partnership with Alliance Française Kampala and Keiga Dance Company.
 

Traditional Ugandan Dances & Contemporary Dance Theatre

Part two of Keiga Foundation’s International Dance Day Celebration 2021: Traditional Dances from different parts of Uganda, presented by Sosolya Undugu Family, and Contemporary Dance Theatre by Dance Theatre Uganda.
 
Presented by Keiga Foundation in partnership with Alliance Française Kampala, Uganda National Cultural Centre and Keiga Dance Company.

Breathe

In response to the 8 minute, 46 second videotaped police murder of George Floyd, which shook the world with his dying breath, “I can’t breathe,” Jonas Byaruhanga presents, Breathe. Jonas delivers a riveting performance that demonstrates the intersectionality between police violence and environmental racism. This performance is followed by an adjoining video, Breathe: An Interview in Berlin, where Jonas articulates why he created this powerful work.

Concept and Choreography: Jonas Byaruhanga

Year: 2020

Dance Expedition

Dance Expedition – An Interview With Jonas Byaruhanga
 
Presented by Keiga Foundation in partnership with Charles H. Wright Museum and Detroit Public TV.
 
Year: 2020
 
 

Freedom - Breaking the Chains

This powerful dance performance by Jonas Byaruhanga gives us a glimpse into the beginning of 16th Century when millions of Africans were kidnapped, enslaved, and shipped like cargo, under horrific conditions across the Atlantic to South America, the Caribbean and the nascent USA. The creative exploration through dance depicts constriction and resistance during the “Middle Passage” to the implementation of the Emancipation Proclamation as exemplified in the late arrival of freedom on “Juneteenth.” It is a metaphor for the apocalyptic times we are experiencing now under the added weight of the global COVID-19 pandemic and the global George Floyd Rebellions and cautions us to always remember and pay homage to our ancestors and heritage as African people, wherever we are in this world. Finally, “Freedom: Breaking the Chains” is a reminder that reconciliation with this nation’s past and present cannot be achieved without truthfully confronting history and finding a way forward that is ultimately responsible and reflective and that ensure that we “break the chains” and obtain freedom, justice, and democracy for all humanity.

New Realities I

Dance theatre focused on the impact of COVID-19, such as increased poverty, rising unemployment, challenges related to ‘home/sanctuary,’ and escalating domestic violence. These highly creative works highlight the breadth and diversity of dance styles from several Kampala-based dance companies.

This video contains 6 out of 10 performances belonging to the ‘New Realities’ program: ‘Chained Bottom’ by Mahaddumbo, ‘Man And Woman’ by Samuel Ibanda, ‘In Bare Feet’ by Atite Prisca, ‘Ubumwe’ by Jamal Da, ‘Open Your Mind’ by Ken Ssewanyana, ‘Food’ by Roger Masaba

Sponsored by the U.S Department of State: Bureau of Education and Cultural Affairs – Uganda Mission. In partnership with Keiga Dance Company and Uganda National Cultural Centre (UNCC)

New Realities II

Dance theatre focused on the impact of COVID-19, such as increased poverty, rising unemployment, challenges related to ‘home/sanctuary,’ and escalating domestic violence. These highly creative works highlight the breadth and diversity of dance styles from several Kampala-based dance companies.

This video contains 4 out of 10 performances belonging to the New Realities program: The Future Between Us’ by Haman Mpadire, Broken Wings’ by Tereka Desire, Enze’ by Erick Sama, ‘False Manifestos’ by Fazil On Yu

Sponsored by the U.S Department of State: Bureau of Education and Cultural Affairs – Uganda Mission. In partnership with Keiga Dance Company and Uganda National Cultural Centre (UNCC)

Found but Lost

Homelessness is a situation of an individual or family without stable, permanent, appropriate housing or immediate prospect, means and ability of acquiring it. However, this definition does not fully encompass every experience of homelessness. ‘Found but Lost’ reflects on different groups of people who are affected differently, with every individual’s experience being unique.
‘Found but Lost’ is a work in progress performance that premiered at Ubumuntu Arts Festival ‘Rebirth’ in 2021.
 
Concept and Choreography: Jonas Byaruhanga
Performers: Ntulume George Williams, Walter Ruva, Joana Mbabazi, Naggita Martha, Jo Wombe, Biboy Pencilmc, Bboy Ndawula, Robert Kibalama
Production Manager: Julius Julio Lugaaya
Co-Production: Ubumuntu Arts Festival
Video Production: Alex Kiyaga, Paul Walusimbe
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